theradicalchild: (Baby Bunny Remy)
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(originally posted on Medium, but reposted here since the anniversary of Roe v. Wade, thank God it was overturned, came and went)



Abortion has been a hot-button in American politics since the Supreme Court case of Roe v. Wade granted god (or rather, goddess) status to the industry, nixing any kind of governmental regulations on it back in 1973. Ever since I became aware of the issue, I've always been pro-life for numerous reasons, pretty much solely nonreligious (though I definitely am far more religious today than I used to be) due to my personal autistic logic that life begins at conception and that women should be sexually responsible, use birth control pills, and get their partners to use condoms, which for me would totally eradicate the need for such a process.

Why the fuck is that so damn "controversial?" Being pro-life of course does have biblical backing in the form of, "For You formed my inward parts; You wove me in my mother’s womb. I will give thanks to You, for I am fearfully and wonderfully made; Wonderful are Your works, And my soul knows it very well" (Psalms 139:13-14). There's also tons of scientific evidence that the unborn can feel pain the womb a way through pregnancy, have fingerprints, and have heartbeats, so to steal and retool a line from President Obama, the unborn are humans too--even if you dispute the facts.

I'm pretty well-aware also that the thoughts of the unborn even being considered remotely human or sexual responsibility are pretty much alien in the eyes of the rest of the developed world, which really reminds me of the moral oblivion of the Jedi in the Star Wars franchise, who seem to be perfectly fine with utilizing massive armies of progerial human clones who bow to their will to wage war in the prequel trilogy era. By contrast, there's the teaching of Sith Lord Darth Plagueis the Wise, who allegedly came up with the ability to use the Force create sentient life in the womb, so you could probably consider me a moral, feeling, pro-life Dark Side acolyte, maybe even the autistic Darth Tismus (taken from the German Autismus, which means autism).

Speaking of autism, it really fucking sickens me that America's prime autistic supremacist, I mean, autism wrongs, I mean, autism rights group, the Autistic Self-Advocacy Network (ASAN, or as I like to nickname it, Ass-AN) doesn't give a shit about the potential genocide of autistics in the womb through prenatal screening, similar to what's happened with Down Syndrome children (and massive kudos to Sarah Palin for not offing her son Trig due to that), exemplifying the stereotype that autistics, like so much of the world morally oblivious about whether the unborn constitute humans (and that was the attitude regarding blacks with Dred Scott and the Jews in Nazi Germany), lack empathy, which I fear definitely won't help the autism rights movement and get us exterminated.

As the offspring of a psychotic narcissistic pro-abortion mother who is basically Hetty Green, Margaret Sanger, Nurse Ratched, and Hillary Clinton rolled into one as enlightened as the Nazis along with her idiotic husband who is my father in blood alone, even with "formal" special education training (as my dad received, which obviously sucked given their unenlightened attitudes), I actually fucking fear that if she had access to prenatal screening for autism, she would have exercised her "constitutional right" on me. I am very, very happy Roe v. Wade was overturned, and shame on Jane's Revenge for their vile terrorism like vandalizing Catholic churches. I sincerely pray that God has mercy on their souls and that they are brought to swift justice.

Let's move on to Unborn Genocide Incorporated, a.k.a. Planned Parenthood, a shadowy, sinister pseudo-corporation founded by Margaret Sanger, a white supremacist too evil for Game of Thrones that had some really enlightened quotes like, "Birth control must lead ultimately to a cleaner race." Don't get me wrong, as I again have no moral objections against birth control pills and condoms as I believe life begins at conception, not any time before (as some Christians such as the Pope seem to believe), not any time after (and some feminist extremists extend life beginning at birth to after a baby has been determined to be viable), but it sickens me that the bitch goddess still has an honor named after her, which would be akin to the "Hitler Award."

Sanger also had a desire to exterminate the negro population, with the likes of Malcolm X rightfully warning about the dangers of racial integration and white liberals exploiting the African-American populace, and Planned Parenthood today making good money from black neighborhoods, abortion today being the biggest killer of blacks in America (again, unless you don't consider them to be "human"). And apparently groups like BLM, which for me again stands for Bastard Libtarded Motherfuckers, seem to be perfectly fine with that, as with the unempathetic Ass-AN regarding the possible eradication of autistics through abortion. I suppose for black and autistic supremacists, it's a matter of quality versus quantity--quality, I suppose, having a very, very loose definition.

Hence, the abortion industry in my view is one of death that should be subject to government scrutiny. I do definitely believe there is legal middle ground on the issue, and think there should be commonsense measures like a ban on abortion if women get prenatal screening for their unborn, and I think men should actually have a fucking say in the children they conceive, and that women shouldn't be given absolute goddess status on whether their fetuses should be allowed to live or be murdered by abortion clinic necrophiles. Maybe an abortion tax as well and surprise visits by government investigators in case Planned Parenthood clinics do shit like organ harvesting as undercover videos grimly revealed the previous decade.

Exceptions? Definitely incest. Fucking gross (unless it's a distant cousin). I'm not sure about rape, since the protagonist of one of my favorite fantasy book series was conceived in one. Life of the mother--maybe, but I think all women should be aware of the potential risks of delivery, and I think given modern medicine, deliveries can definitely be made safe.

But I can in some cases understand why some women would be fearful of all this, as in the case of Ireland Baldwin, a good woman unlike her asshole father Alec and was just in her opposition to the overturn of Roe and had substance abuse problems, ultimately having an abortion "because I know exactly what it felt like to be born to two people who hated each other." The story of my life. I still think the unborn should be given a chance.

That aside, I also have a bone to pick with the American Catholic politicians who are pro-abortion heretics to the Pope and aren't shy in being vocal about their heresy, case in point President Biden and Speaker Pelosi, among others. I know it stems from JFK not wanting to take orders from the Pope, and as an Episcopalian, I had my disagreements with former Presiding Bishop Michael Curry even after reading his book Love Is the Way, and his successor Sean Rowe is obviously with the Christian Left given his disdain for president-elect Trump's views on the nonheterosexual population (which I'm part of, though I prefer to keep that in the bedroom).

Though abortion wasn't an issue when Kennedy was president as it would be the following decade and beyond, but as far as I'm concerned, you don't join the NRA if you're antigun, and if I were Pope and heard the lapsed Catholic politicians spouting the shit they do, I'd excommunicate them in a heartbeat (but I know Pelosi was denied eucharist at her home San Francisco church). Maybe join the Episcopal Church, which is basically liberalized Catholicism? Ideally, I'd like to see the liberal wing of the American Catholic Church divorced and merged with the Episcopal Church to form the Anglican Church of America.

I think "pro-choice" is also a misnomer, since those who apply it seem not to give a shit about "choice" in other areas such as educational alternatives, healthcare, gun rights, compulsory higher taxes, and so forth.

I know I'm male, but that doesn't invalidate my views, and if I were in a romantic relationship with a woman, I'd be a gentleman and use protection, and ensure she did the same in return.

Ideally, I'd like a pure test-tube baby society where abortion is a non-issue, and men, women, and others can freely make love without the fear of unwanted pregnancy, and I actually would hate to see women go through the pain of pregnancy and the decision, tragic or not, to terminate their unborn. No designer babies since that would make autistics and other neurodivergents vulnerable to extinction as well; leave everything to God.

Anyway, I'm done. That's how I feel, and no amount of gaslighting, bullshit illogic that would drive a Vulcan insane, or having the crap beaten out of me will convince me otherwise.
theradicalchild: (G'Remina)
Star Trek III: The Search for Spock

Dude, Where's My Spock?

Major Spoilers for The Wrath of Khan

Spock's death in Star Trek II: The Wrath of Khan probably traumatized Trekkies in the film's time, but the ending showed that there was still hope, and the Original Series film franchise would continue with Star Trek III: The Search for Spock, with actor Leonard Nimoy going behind the camera to direct since his character was, you know, dead. The beginning opens with a recap of all the stuff that led to his death, ending with his space casket lying in solitude on the Genesis Planet. The Enterprise is set to be decommissioned, and the crew ordered not speak about the Genesis Device due to the political fallout over it; politics as usual, which pretty much applies in modern times.

Dr. Leonard McCoy begins acting weird to the point where he has to be arrested, with David Marcus, Kirk's son, key to Genesis' development, and the Vulcan Lieutenant Saavik, portrayed by newcomer Robin Curtis (in a change from Kirstie Alley in The Wrath of Khan), investigating the planet and finding Spock's coffin to be empty--gee, that sounds awfully familiar, but that's definitely a good thing, given my religion. Meanwhile, the Klingon Kruge, portrayed by Christopher Lloyd, is rightfully concerned about the Genesis Device, fearing it could be weaponized against his race, and clashes with Kirk over it.

Michael J. Fox should have joined him.

'ach DaH peghmey tISuj

The rest of the film is spoilerific, and despite the BS "odd number Star Trek film curse" some Trekkies have harped about, I actually enjoyed it the most of all the TOS films, given its great storyline and development. Granted, many of the visual effects haven't aged well, and there is dialogue like Kruge's "Give me Genesis!", but in its time I'm certain it would have really satisfied long-term Star Trek films and give them hope yet in the film franchise whose quality critics probably felt was mixed. You'll definitely have to watch the second film, so you're not lost, but The Search for Spock overall is a great continuation.

The Good The Bad
  • Great continuation of the second film.
  • Beautiful music.
  • Excellent cast performances.
  • Christopher Lloyd as a Klingon--nuff said.
  • Nice effects and development.
  • Actor change for Saavik really noticeable.
  • Many effects haven't aged well.
  • Dialogue like, "Give me Genesis!"
The Bottom Line
Surprisingly, one of the best TOS films.
theradicalchild: (G'Remina)
Star Trek II: The Wrath of Khan

This Revenge Tastes Cold!

Given that the Star Trek franchise's cinematic debut wasn't exactly critically-beloved, series creator Gene Roddenberry was forced out of its sequel's production, and the budget was greatly reduced compared to The Motion Picture. The writers, furthermore, looked to The Original Series for ideas on how to proceed with the sequel's plot, focusing on the episode "Space Seed," which featured the genetically-engineered superhuman Khan Noonien Singh, portrayed by the late Ricardo Montalbán, the final product focusing on what happened with him after the end of said episode. The first franchise film sequel, Star Trek II: The Wrath of Khan, would release in 1982.

Rather than feature an unnecessary sequence where nothing happens like the first film, The Wrath of Khan cuts right to the opening credits, which from the get-go give a very positive first impression, given newcomer composer James Horner's bombastic but beautiful main theme that actually at moments brought tears to my eyes. Most the cast from the first film returns, including William Shatner as Admiral Kirk, Leonard Nimoy as Captain Spock, and so forth. Another excellent first impression from the opening credits is "Introducing Kirstie Alley" as Lieutenant Saavik, a female Vulcan taking the Kobayashi Maru at the beginning, an unwinnable examination testing her savvy as a starship commander.

Space Pier 1!

Kirstie Alley as a Vulcan--nuff said.

It's Admiral Kirk's birthday, although as he's getting old, he's not in the best of spirits, with Dr. Leonard "Bones" McCoy encouraging him to get a new command instead of becoming a desk jockey. Meanwhile, the starship Reliant is seeking a lifeless planet to test the Genesis Device, which can make worlds habitable, with its Captain, Clark Terrell, and first officer Pavel Chekov beaming down to evaluate a planet they incorrectly think is Ceti Alpha VI. Here, a group of superhumans lead by Khan captures them, explaining that Ceti Alpha VI exploded and that they're actually on Ceti Alpha V, which has consequentially become a deserted wasteland, Khan rightfully pissed at the disaster killing his followers and wife.

One major issue Trekkies have brought up is Chekov and Khan recognizing one another, with "Space Seed" having occurred before the former came aboard the original Enterprise, and this is legitimate. Anyhow, Khan possesses Chekov and Terrell with eel larvae to mind-control them, with Khan beginning his quest for vengeance against Kirk by first targeting the space station Regula I, where the Genesis Device is being developed. Khan makes the Enterprise his next target, with some good action culminating in an ending that probably traumatized Trekkies in the film's time.

Khaaaaaaaaaan!

Even still, you can definitely hear this screenshot.

All in all, The Wrath of Khan was a massive improvement over its predecessor, beginning the plot arc that encompasses the third and fourth films, with great casting and performances, not to mention intelligent, often beautiful dialogue spoken chiefly by Kirk and Khan. However, the visual effects and technology have aged somewhat poorly, especially in comparison to other science-fiction franchises such as Star Wars. Regardless, it's a major improvement over the first film, and actually did surprisingly well despite its reduced budget, and is worth a watch from Trekkies old and new.

The Good The Bad
  • That main theme...good God.
  • Great cast, acting, and dialogue.
  • Good follow-up to the TOS episode "Space Seed."
  • Chekov and Khan recognizing one another.
  • Has aged somewhat poorly.
  • Ending probably traumatized Trekkies in the film's time.
The Bottom Line
One of the strongest TOS films.
theradicalchild: (G'Remvulpik)
Star Trek: The Motion Picture - The Director's Edition

The Slow-Motion Picture

I maybe became aware of Gene Roddenberry's Star Trek franchise when I was around six years old but really didn't indulge into it when I was well into my adulthood, and I'll admit that even then I was more of a Star Wars junkie, although I'll acknowledge that many areas of both franchises are largely a matter of taste. The Original Series was well ahead of its time when it debuted during the late 1960s, though its three seasons were fairly troubled productions, with the series ending prematurely without a definite conclusion. An animated series would follow, which again ended without an ending episode that wrapped things up plot-wise conclusively.

Years after their cancellation, Paramount proposed a sequel series called Phase II, which actually had several episodes written, although it was ultimately scrapped and begun to be retooled into a feature film to ride on the success of the original Star Wars. Director Robert Wise headed Star Trek: The Motion Picture, which had a fairly troubled production, especially with a huge time crunch, to the point where the film prints were still wet when loaded onto the camera reels at the movie's premiere in 1979. Star Trek: The Motion Picture - The Director's Edition would release decades later in the next millennium; does the film still hold up today?

You can definitely tell a person's age by whether they're enthralled or bored by this scene.

The debut Star Trek film opens with a sequence of beautiful orchestral music with moving stars that lasts several minutes in the style of classic epic films like Ben-Hur, before the classic 1970s-80s Paramount logo, but is really unnecessary and needlessly pads out a film that has been rightfully nicknamed "The Slow-Motion Picture," among others. The main title theme is the dumbly-named but nonetheless awesome "Life Is a Dream" by composer Jerry Goldsmith, which would ultimately serve as the main motif for The Next Generation. The soundtrack is easily still to date one of the high points of the movie.

In the twenty-third century, the Starfleet station Epsilon Nine detects an alien entity, ultimately named V'Ger, that threatens to engulf Earth, having destroyed three Klingon warships and the station itself on its way. On Earth, James T. Kirk, promoted to Admiral, visits his former vessel, the starship Enterprise, undergoing a major refit, and eventually taking command to the chagrin of its commanding officer, William Decker, with the iconic vessel being the closest within interception range of V'Ger. However, the refurbished Enterprise still has issues to the point where it kills two officers attempting to board via teleportation.

Nice spacesuit, by the way.

"My God, it's full of sta...er, wrong film."

Resident badass Vulcan Spock ultimately rejoins the new Enterprise crew, along with his friendly rival, the snarky doctor Leonard "Bones" McCoy, Chekov, Scotty, Uhura, and Sulu. The film spends most of the time traveling through V'Ger, with tons of technical ship and scientific jargon peppering the dialogue that's far more porn for scientists than anything else, along with some weirdness in the sound effects like a repeated digitized "boing" and things like Ilia's "possession" by the entity. It's ultimately up to Spock to suit himself up and attempt to communicate with V'Ger, revealing its various mysteries and backstory, with tons of trippiness in the process.

Robert Wise's ultimate intent was to make The Motion Picture a spiritual successor to 2001: A Space Odyssey, and while he definitely did an excellent job in that regard, the film has otherwise aged horribly, especially regarding the visual effects, which really make it clash today with the far-superior technology of Next Generation-and-beyond Star Trek media. The film further needlessly feels prolonged and could have very easily been half an hour or so shorter given the drawn-out sequences like Kirk and Scotty circling the refitted Enterprise and the various scenes of delving through V'Ger.

Overall, it's not a "bad" movie, but is still very far from bucket-list, unless you're really interested in the history of the Star Trek franchise.


The Good The Bad
  • Excellent soundtrack.
  • Great acting.
  • The mystery of what V'Ger is.
  • Has a really trippy feel at times.
  • Could have easily been half an hour or so shorter.
  • Has aged really horribly.
  • Too much technical crap in dialogue.
  • Tons of weirdness like Ilia's "possession."
The Bottom Line
Did its job as a good spiritual successor to 2001: A Space Odyssey but has aged badly and otherwise wasn't a great debut for Star Trek films.
theradicalchild: (Cleveland Nazi)

A Black Person's Selective History of the United States

I received minor exposure in intermediate school to civil rights leaders such as Martin Luther King Jr. but would not get a greater picture of the civil rights movement and its various other luminaries until high school. However, given the cherry-picking among biased historians regarding what historical events in America and which to omit, I didn't receive the full, impartial story about the sundry civil rights leaders and what they believed and stood for. I would eventually learn about other prominent members of the movement like Rosa Parks and Malcolm X, a rival to Dr. King, and others like the Reverend Jesse Jackson, still alive and well today along with his colleague, fellow Reverend Al Sharpton.

Even then I was well aware of Dr. King's iconic "I Have a Dream Speech" where he dreamed of a world of full racial acceptance, believing in a society where his children would be judged not by the color of their skin but by the content of their character, and that "the sons of former slaves and the sons of former slave-owners will be able to sit down together at a table of brotherhood." His actions those of others of nonviolence and civil disobedience would ultimately lead to landmark reforms during the late 1950s and the 1960s to grant nonwhites legal equality and voting rights, and end racial segregation, among other things.

However, modern America is still very, very far from the harmonious utopia Dr. King imagined, as the race riots following his tragic assassination would demonstrate, of which he would have very likely not approved were he still alive, and the United States is every bit as racially divided today as it was then. Incidents like the beating of Rodney King by Los Angeles police, its resultant civil unrest and that following the murder of George Floyd today exemplify this, albeit in my opinion for vastly different reasons, since as I have seen, similar incidents against straight white men receive little to no national news coverage.

Another pattern I have seen through my life paying attention to American news and politics is the delusion, mostly among leftists black and white, that those of African ancestry have special immunity to criticism and are seen as absolutely incapable of wrongdoing, even being racist themselves (which Wikipedia asininely terms "reverse racism"), in part due to the brutal legacy of slavery and its forceful abolition as a byproduct of the War for Southern Independence, which is very popularly termed "the Civil War" since the Confederate States lost, just as the American Revolution would have likely been called the "British Imperial Civil War" had the Thirteen Colonies been subjugated.

All this would ultimately give rise to organizations like Black Lives Matter, Defund the Police, ACAB (an acronym for All Cops Are Bastards), all under the umbrella of the Woke movement, perceiving injustices in society and the world in general, but mostly and exclusively focused on America. As an autistic who has suffered prejudice and injustice through his lifetime from his own family, various academic and governmental institutions, and corporations with which he has been employed, I agree with the general overall noble aims of the Woke movement, but vastly disagree with their rhetoric and methods.

However, the mainstream Woke movement shares the overall illogical leftist sentiment that certain groups termed as "oppressed," just like blacks, have special immunity to any kind of criticism and the view that they are absolutely incapable of any kind of wrongdoing, bigotry against others included, which I can attest from personal experience is bogus, as I have had negative experiences with fellow autistics in real life but mostly on the internet given their exemplifications of negative stereotypes that result in our continued ostracization. Members of the Woke movement are often selective as well when it comes to highlighting injustices, as even a leftist feminist who goes by the alias "The Other Millennial" acknowledges in regards to two different cases of lawmaking disadvantaging women.

The polar opposite of the Woke movement is the Base movement, which largely wishes to keep things the way they are, with which I disagree as well, as I know well that injustice still exists in America and across the world, but every demographic has been guilty of some sort of wrongdoing throughout history, even those whom the Woke movement claims to represent. I know also that bigotry has always been prevalent throughout American history, before and after the Revolutionary War. Thus, the title and concept of author Ibram X. Kendi's book Stamped from the Beginning appealed to me, so I decided to give it a purchase and read.

However, the prefaces to the 2023 Edition and the First Paperback Edition immediately gave me a negative first impression, given the author's delusion that Barack Obama's election as the first black President (though he's actually half-black) marked the beginning of "postracist America," which is totally bogus since even before and during his administration, racism was still prevalent in America among both whites and blacks, the latter blindly idolizing his "historic" election during the continuing narcissistic Age of Entitlement and culture wars that arose as a result of the liberal (though I think "illiberal" is a far better term for most who label themselves as such) uprising during the 1960s.

Conversely, Kendi iconoclastically describes rogue candidate Donald Trump's election as President in 2016 as a "reversal" of his delusion of America having become "postracist," highlighting examples of the president's praise of those who had made bigoted statements while again ignoring the equivalent racism by blacks that continues today. He further serves as an apologist for voter fraud with his illogical opposition to commonsense measures to enforce electoral integrity such as having to present identification in order to vote, which has absolutely nothing to do with race or discrimination, falling under the popular leftist weasel words of "voter suppression."

Kendi then indicates that he took the title of his book from a quote made by first-and-only Confederate Jefferson Davis that blacks were "stamped from the beginning" as being inferior to whites while simultaneously neglecting to mention that America's white supremacist slaveowning founders believed the same thing, just as much as they did about the "merciless Indian Savages" they would drive to near-extinction the following century. However, he correctly defines racist ideas as those regarding one racial group as inferior or superior to another (but still proves himself among the "do as we say, not as we do" crowd).

One publicized passage that proved the prime selling point for me was: "There are lazy and unwise and harmful individuals of African ancestry. There are lazy and unwise and harmful individuals of European ancestry. There are industrious and wise and harmless individuals of European ancestry. There are industrious and wise and harmless individuals of African ancestry." One can say the same of people of different faiths (and Kendi correctly notes that racism found its way into various Christian denominations), genders, political ideologies, and even neurology (and as I said, I've had plenty negative experience with other autistics).

Part I of the main text focuses on Puritan clergyman Cotton Mather, beginning with the story of his grandfather Richard and his family's journey to New England aboard the James. The Puritans believed themselves superior to nonwhites and Anglicans, with the Pequot War resulting in their first slaves. Ibn Battuta and Muslims further saw sub-Saharan Africans as inferior and useful as slaves as well, with Christians at the time justifying slavery through the "curse of Ham." Portuguese royalty would gain knowledge of sub-Saharan slaves from Moors they captured, with Leo Africanus, a beneficiary of Pope Leo X, also seeing blacks as inferior, with his ideas finding their way to the English, who wanted to get their share of the slave trade.

English Travel writer George Best wanted to assimilate nonwhites into becoming white, seeing blacks as hypersexual, with Puritans wanting to bring social order to the world and Christianize it. Leo Africanus' ideas continued to perpetuate, with William Shakespeare's Othello enforcing negative stereotypes of blacks. John Smith would help establish the first permanent English settlement in North America, with Kendi telling the tale of Pocahontas the "civilized savage." King Charles I further propagated the persecution of blacks, with texts such as A True and Exact Historie of the Island of Barbadoes further encouraging converting slaves to Christianity to make them more obedient.

Blacks would continue to be converted to Christianity, with philosopher John Locke musing to a friend, "You should feel nothing at all of others' misfortune." Segregationist thinkers perpetuated the theory of polygenesis, that there were multiple origins of human species. Incidents such as King Philip's War (with the namesake Metacomet leading Native Americans against New Englanders and their Indian allies) and Bacon's Rebellion, led by Nathaniel Bacon, who wanted to separate poor whites from enslaved blacks, further exacerbated race relations. Puritans and royalists would clash in New England, with Cotton Mather believing that Puritans were the chosen people and blacks were inferior.

The Boston judge Samuel Sewall believed that New Englanders should be free of both slavery and blacks, with Cotton Mather continuing to believe that God detested Africans. A slave revolt would erupt in New York City on April 7, 1712, when a building was set ablaze. Cotton Mather would ultimately devise inoculation against smallpox to save blacks, although the antivaccination crowds of the time thought it a conspiracy to incite slave revolts. At the time, Benjamin Franklin detested Puritans and would leave for Philadelphia to get away from his older brother, to whom he was indentured.

The next part focuses on Thomas Jefferson, whose father Peter was a hard laborer, with Thomas accepting secularized racial discourse. The Age of Enlightenment would spawn as the slave trade flourished, with Swedish scientist Carl Linnaeus creating human and animal hierarchies, his French contemporary Voltaire feeling much the same way. After Jefferson's father died when he was four, he entered politics and studied antislavery. An enslaved female poet, Phillis Wheatley, would further influence the antislavery movement, although whites who still adopted those ideas alongside assimilation were still xenophobic overall. Both the British and Americans would doubt Jefferson as a good messenger for the freedom manifesto that he would preach, with even British writer Samuel Johnson calling him out on his hypocrisy.

The United States Declaration of Independence was a bit of a troubled production, with among its original words being that all freedmen were created equal. Kendi doesn't at all mention Jefferson's phrase "merciless Indian Savages" that did find its way into the incredibly selectively-quoted document (he only very, very slightly implies it), but does give some good history about the future president going to France for favor of the blossoming tobacco industry in the United States, not to mention his affair with Sally Hemings and biracial offspring, as well as the slave revolts in Haiti, which had been the only country other than the US where the practice was forcefully ended. Jefferson had acknowledged, at least in a prior draft of the Declaration of Independence, that he wanted America to be free of slavery (though it was left out due to the Thirteen Colonies' division on the issue) and along with many abolitionists ultimately wanted the Blacks to return to Africa.

Jefferson was friends with free Black Benjamin Banneker, who oversaw the construction of Washington DC, with Ben Franklin having further irked the 1st US Congress with his abolitionist views. The following Congress saw the passage of the Fugitive Slave Act of 1793, which happened around the same time enslavers of Haitians fleeing the country's revolt brought yellow fever to Philadelphia. The cotton industry further increased demands for an expansion of slavery, with the revolution in Haiti also compelling French Emperor Napoleon to sell off the Louisiana Territory to the United States. The expansion of slavery would additionally inspire monogenesis theorists, religious and secular, to change their minds about the belief.

The signature of the hilariously-named Non-Intercourse Act of 1809 would be one of Jefferson's final acts as president, lifting American shipping embargoes except those bound for British and French ports, which stifled the American economy at the time. Kendi further indicates that scientists like Georges Cuvier rejected polygenesis, believing that three races came from the Garden of Eden, with whites being supreme and blacks being the lowest. Moreover, Native Americans begun enslaving blacks, with a major revolt from free negroes targeting New Orleans on January 10, 1811, yet being quashed.

Gabriel Prosser's slave revolt in 1800 also never came to be, with Virginia refusing to abolish slavery because their economy depended upon it. Many abolitionists further wanted to send blacks "back to Africa," which irked the free ones within America, with the American Colonization Society founded, and the Slave Trade Act allocating $100,000 to advance their agenda. Another slave revolt headed by Denmark Vesey abetted Southern contribution to defending slavery, with the Missouri Compromise passed in 1820. The American Tract Society around the time also propagated the racist belief of a white Jesus, and Freedom's Journal would become the very first Black newspaper, pitting upper-class negros against lower-class ones and predictably tanking.

Both John Adams and Thomas Jefferson kicked the bucket on July 4, 1826, with the latter "resting in the comfort of slavery." The third part focuses on abolitionist William Lloyd Garrison, who joined the ACS, with the Nat Turner Rebellion erupting on August 21, 1831. The American Anti-Slavery Society (AASS) would be founded, believing in the radical idea of "immediate emancipation, without expatriation." Enslavers saw the organization's postal campaign as an act of war, with a rift occurring with the Garrisonians, who refused to participate in "corrupt" political parties and churches, and the abolitionists who wanted to bring their cause into them.

At the Seneca Falls Convention, Sojourner Truth would become prominent in both the classical feminist and abolitionist movements, with Harriet Beecher Stowe's Uncle Tom's Cabin inspiring racist abolitionism. Black writer and physician Martin R. Delaney hated the book, with Moby-Dick author further mocking polygenesis, although Josiah C. Nott and George Gliddon would publish in 1854 Types of Mankind, dedicated to the memory of Samuel Morton, eight hundred pages defending the theory. William Lloyd Garrison and Frederick Douglass would have their major disagreements, with Stowe mediating between them.

United States Senator Stephen A. Douglas of Illinois wanted statehood for the territories of Nebraska and Kansas for want of a transcontinental railroad through them, with his rival, Abraham Lincoln, wanting to send blacks back to Africa like many abolitionists desired, Douglas ultimately calling him out on his vacillation on the issues of slavery and negro equality. Dred Scott v. Sanford would nullify federal slavery regulations, adding that blacks aren't human. In October 1859, John Brown's raid on Harpers Ferry would erupt, with Colonel Robert E. Lee quashing it. Mississippi Senator Jefferson Davis further opposed legislation educating blacks in DC, with Charles Darwin's signature work promoting bigotry, and his cousin Sir Francis Galton inspiring the future eugenics movement.

Lincoln's eventual election of president marked the beginning of Southern secession and the start of their independence war, with the president quickly seeking to subjugate them, and blacks from the South running away to join the Northern army, though conditions then were horrendous. Blacks as well were forced to work for the Confederate military, with the North's Second Confiscation Act declaring black runaways from the South to be free, although the Northern states where slavery was still legal were somewhat indecisive throughout the war. Moreover, Lincoln wanted to eject blacks from America, blamed their presence for the war, and still didn’t think they could be equal, angering Garrison.

The president had also told abolitionist Horace Greeley, who had actually wanted the Southern states (at least initially, but Kendi doesn't mention Greeley's former beliefs and his awesome quote, "We hope never to live in a republic whereof one section is pinned to the residue by bayonets") to secede that he was fighting to "save the Union" and was still apathetic on fully abolishing slavery, with his eventual Emancipation Proclamation only "freeing" slaves in the Confederacy and largely being more than a symbolic gesture that could only be enforced military, which it would be in the end, of course.

Garrison's son Willie and German journalist Henry Villard noted that freed blacks "acted like brutes," with Kendi mentioning the slaughter of black Union soldiers at Fort Wagner after the North's victories at Gettysburg and Vicksburg. Lincoln still struggled on what to do with blacks postwar, with the American Freedmen's Inquiry Commission (AFIC) wanting equality for them. After Lincoln's reelection came General Sherman's infamous March to the Sea and the issue of redistributing Confederate-owned land. The Thirteenth Amendment prohibiting slavery except as punishment for crimes came to fruition at the start of 1865, with John Wilkes Booth murdering on Good Friday towards the end of Lent that year and his consequential god status among black Americans that continues today.

Lincoln's successor, Andrew Johnson, adopted a reconciliatory approach towards the start of the postwar Reconstruction era, offering amnesty to former Confederates at the chagrin of Congress and freedmen. Johnson didn't push for equality for blacks, who in turn looked down on poor whites, with race wars erupting in the South (though the author pits blame solely on white people) and ex-Confederates ultimately denied the ability to hold office. Kendi mentions that lighter blacks were better off than darker ones in the educational system, and that the election of former Union General Ulysses S. Grant as president in 1868 marked the emergence of the first negro politicians as well.

The Ku Klux Klan would eventually emerge, with blacks rarely benefiting from the economic policies of Reconstruction (though corporations did). One interesting factoid Kendi mentions that was new to me is President Grant's wish to annex the Dominican Republic to the United States as a haven for emancipated blacks. The author, however, denies that what negro politicians did emerge were absolutely incapable of being "inept," and mentions that the Supreme Court would nix federal civil rights legislation, and that black Southerners would be most devastated by the Panic of 1873. Grant would eventually abandon Reconstruction, with the Bargain of 1877 making Rutherford B. Hayes president in the close election the prior year, and Exodusters moving North and West when whites began, unsurprisingly, to reclaim supremacism in the South.

Part IV deals with classical civil rights activist W.E.B. Du Bois, born on February 23, 1868, the day before President Andrew Johnson's impeachment began, with Kendi mentioning the popular subscription to Social Darwinism and the belief that blacks are inferior and that the New South continued to screw over the negro population living there, again unsurprising given the idiocy in expecting the white population to instantly accept them as equals after what Lincoln and his henchmen did to the Confederacy during the Civil War. George Washington Williams' History of the Negro Race in America from 1619 to 1880 would indicate the roles that blacks played throughout American history.

On January 7, 1890, South Carolina Senator Matthew Butler and former Ku Klux Klan Grand Dragon John Tyler Morgan introduced a congressional bill to fund black emigration to Africa. Henry Cabot Lodge would later introduce the Federal Elections Bill for federal supervision of elections, although Democratic Senators filibustered it, so it never passed. May 18, 1896, would mark the 7-1 Supreme Court decision of Plessy v. Ferguson that dictated that races be "separate but equal," and while the "separate" part was of course enforced, the "equal" part very rarely was, which continued to lead to blacks being screwed over in the Southern states.

In the following chapter, Kendi mentions the emergence of the then-unnamed homosexual community around the turn of the twentieth century, complains about the high crime rates among blacks back then (that continue today yet are habitually denied by their population and the mainstream media), and calls out Booker T. Washington on having made "darky" jokes, one he considers a "Black Judas." On January 29, 1901, the lone black United States Representative of the time, George H. White of North Carolina, gave his farewell speech, with Congress exclusively consisting of white males for the next few decades. Kendi further complains about William Hannibal Thomas speaking the truth about the average American black of the time (which still mostly rings true today) alongside his efforts to forge a world where they would be more accepted.

The next chapter focuses on the German-American Jew Franz Boas who met W.E.B Du Bois and related to him given the antisemitism he experienced in his fatherland. The Texas-born black heavyweight boxing champion Jack Johnson would game fame among the negro community, although they would turn against him due to his dating white women. Edgar Rice Burroughs would start the Tarzan book series, where the namesake character would be raised by apes and discover his parents' old haunting ground, gaining mainstream intelligence, whereas the native Africans would be deemed "savages." Du Bois would ultimately establish the NAACP while butting heads with Oswald Garrison Villard who was more open-minded to assimilation with whites, Francis Galton would kick off the eugenics movement, and black activists would try to prevent the film The Birth of a Nation from seeing widespread release, with the negro community's attempts to thought-police America continuing to this day.

During the First World War (then called the Great War), the black population of the South would wise up and begin the Great Migration and move to areas in America where they were better accepted. The eugenics movement would also gain traction, with the post-WWI Red Scare mostly targeting blacks, and early American communists being racist in contradiction to Karl Marx' philosophy (but modern blacks don't heed the Austrian philosopher's opposition to personality cults given their blind worship of Abraham Lincoln). Marvis Garvey's Pan-Africanism movement would quickly collage, and at the 1924 Democratic National Convention, the party came within one vote of condemning the anti-black, anti-Catholic, and antisemitic Ku Klux Klan (and the party still today refuses to acknowledge its xenophobic history). The Immigration Act of 1924 would cause eugenicists to focus on the segregation of non-Nordics in the United States.

W.E.B. Du Bois would criticize historically-black colleges for training them to be used for cheap labor, although a group in Harlem that labeled themselves the "Niggerati" (Kendi's words, not mine) would oppose interest in assimilation or media suasion. Du Bois would further view Langston Hughes as a race traitor given his endorsement of Carl Van Vechten's Nigger Heaven (again, Kendi's words, not mine), released in August 1926 (and fun fact, Van Vechten was homosexual). The Great Depression that began shortly after Herbert Hoover became president would break the Republican Party's dominion on politics at the time, with the field of eugenics flourishing thanks to the Nazis and advocates like Margaret Sanger (and fun fact, she wanted to "exterminate the Negro population," though Kendi doesn't mention this).

Walter White would transform the NAACP into a litigatory organization to place "refined" individuals such as himself in front of courts and politicians to convince whites to end racism to little effect. Franklin Roosevelt's New Deal would give more aid to whites than blacks, which Kendi termed the "Old Deal." Du Bois would receive mixed reception to his desire for self-improvement among the black population, with the American Anthropological Association denouncing biological racist ideas, with others eventually dropping the term "racism" into mainstream vernacular. The film adaptation of Gone with the Wind and various books would annoy cancel-culturalist blacks, with America, after World War II, becoming leader of the "free" world despite being far from a paragon of total equality, let alone "freedom," which continues to this day.

Du Bois would unsuccessfully try to get the United Nations to condemn colonial racism, and both Columbia evolutionary biologist Theodosius Dobzhansky and anthropologist Ashley Montagu would set a new course for Social Darwinism away from eugenics. President Harry Truman would attempt to implement the Truman Doctrine where he tried to combat racism, while Southern Dixiecrats would run Strom Thurmond as a presidential candidate in 1948. Eisenhower would roll back Truman's doctrine, and during his presidency, Brown v. Board of Education, which ruled that segregation created inequality, which was the case since the "equal" part of "separate but equal" stemming from Plessy v. Ferguson was never really enforced in the first place.

The next part focuses on civil rights activist Angela Davis, who was concerned about church bombings in Birmingham. John F. Kennedy would be assassinated, with civil rights rivals Martin Luther King Jr and Malcolm X paying attention to the congressional debates of the time. Malcolm X would visit Mecca in Saudi Arabia and would consequentially hate all racist "wolves and evils," while civil rights legislation would be filibustered. Presidential candidate Barry Goldwater would start a new course for the Republican Party with his influential The Conscience of a Conservative, while Lyndon Johnson's Assistant Secretary of Labor and future New York Senator Daniel Patrick Moynihan, would publish his influential and assimilationist Beyond the Melting Pot.

The concept of Black Power would come about during the civil rights movement, although not all blacks were happy, with many terming their proponents "reverse Hitlers," which still in some cases rings true today. Activists would religiously quote the Declaration of Independence, obviously oblivious to its author's hypocrisy. Kendi further points out the racism of terms like blacklisting, blackballing, and black sheep, and I would lump more modern phrases like "light and dark" and "black and white" among these in regard to "good and evil." He further notes Dr. King's desire for psychological freedom for blacks yet complains about the "racism" of films like the Planet of the Apes series. He elaborates with Angela Davis and her cohorts inciting race riots after King's assassination, which went against everything he advocated and stood for.

J. Edgar Hoover and the FBI would launch a war to destroy the Black Power movement in 1969 after Nixon became president, with Kendi complaining about the disproportionate imprisonment of blacks in his typical delusion that they're incapable of any kind of wrongdoing. He continues with the rise of the Blaxploitation genre of film that perpetuated stereotypes of blacks with Afro hair and such. Angela Davis would spend time in prison and join the feminist movement, with Norma McCorvey (Jane Roe) bringing about the infamous Roe v. Wade court case that would give god (or goddess) status to the abortion industry, given its invalidation of all regulation regarding it across America. The fledgling gay rights movement would intersect with Black Power to form queer antiracism as well.

Kendi then proceeds to complain about Ronald Reagan singling about a black woman's massive welfare fraud and apologize for affirmative action and racial preferences. Poverty would continue to increase among blacks beyond the civil rights movement, and the author complains about films like the Rocky series being "racist" given the eponymous boxer's matches with black opponents like Apollo Creed and Mr. T. Then does he criticize Reagan's indifference towards the anti-apartheid movement in South Africa and highlights the decline of the black family in the United States, with abortion being the very likely culprit, since today it remains the biggest killer of blacks in America.

The writer begins his chapter focusing on "New Democrats" by mentioning the popularity of The Cosby Show, though Bill Cosby would, decades later, say in his "pound cake speech" that blacks couldn't blame whites any more for their woes. Public Enemy's rap song "Fight the Power" would become popular as well, alongside critical race theory, which today continues to perpetuate the myth that blacks are incapable of any kind of criticism, wrongdoing, and racism. Black feminists would also advocate for the ban of the contraceptive Norplant, and today, it is still unavailable in the United States, perhaps due to groups like Planned Parenthood profiting from abortion, which still remains the biggest killer of black Americans.

The following chapter focuses on "New Republicans," who rightfully advocated personal responsibility as part of Speaker Newt Gingrich's Contract with America. Kendi then complains about the O.J. Simpson trial perpetuating racism in the United States, although the circumstances were admittedly questionable, similar to the JFK assassination. When President Clinton stated that America should have a frank discussion about race, Speaker Gingrich responded by saying that racism wouldn't disappear by simply focusing on race, and he was right, in that in order to solve any problem, xenophobia included, one needs to get to its core, which more often than not lies in history, in the area of racism, in my opinion, why people have xenophobic attitudes in the first place.

In the next chapter, Kendi notes John McWhorter's bestseller Losing the Race: Self-Sabotage in Black America, in which he correctly noted that black Americans bring much of their misfortunes unto themselves. Then the author notes the emergence of Ebonics, black English slang, that emerged during the 1970s, which even civil rights leaders like Reverend Jesse Jackson opposed. President Clinton would eventually gloat about the full mapping of the human genome, noting that all humans are "99.9% the same," with Kendi proceeding to complain about Cosby's aforementioned speech as "racist" in his typical illiberal delusion that blacks are infallible.

He spends the final chapter slubbering over President Obama, Vice President Biden, and other modern Democratic leaders who only care about black people every election cycle but never any time any between and complains about black lives still not "mattering" to most Americans. This is probably because of factors like BLM's corrupt (reverse) racist leaders selfishly squandering their money on their derelict mansions, and that blacks today still behave like they're the "chosen ones" and adamantly refuse to accept whites as equals, making every criticism against them about race and refusing to take responsibility for their own misdeeds in their typical racial narcissism.

Overall, while Kendi does bring up some good history about the historical roots of racism against blacks, he buries inconvenient facts like refusing to directly mention the damning "merciless Indian Savages" passage of the United States Declaration of Independence and that blacks weren't the only ones who suffered throughout history. For instance, before the advent of labor unions, the average white American had to work eighty-hour workweeks, and the Native Americans themselves were subject to near-extermination before and after the Civil War. "Well, blacks have suffered the worst!" Kendi and his "antiracist" allies may say. So what? Drowning in a puddle is every bit as bad as drowning in an ocean.

On the matter of America's genocide against its indigenous population, Kendi makes zero mention of the Indian Removal Act, one of whose motivations was to give slaveowners more territory, and the subsequent Trail of Tears. He further neglects to mention the post-Civil War internment of Native Americans to reservations, which alongside the eugenics movement, would give the Nazis inspiration for their atrocities. While he mentions birth control godmother Margaret Sanger once, he doesn't mention her coziness with the Ku Klux Klan and her enlightened quote, "We do not want word to go out that we want to exterminate the Negro population, and the minister is the man who can straighten out that idea if it ever occurs to any of their more rebellious members."

I suppose that Kendi would consider black Americans who genuinely seek peace and reconciliation with the white population, as Dr. King advocated, not to mention modern figures like Bill Cosby, to be among the "more rebellious" negroes, those whom he terms "black Judases," with "Uncle Toms" likely being another popular euphamism. Even the likes of Malcolm X opposed racial integration and preferred "black empowerment," likely knowing that whites weren't at the time fully ready to accept blacks as equals (and, of course, vice versa), and indeed, actually improving conditions for black Americans first would have been vastly preferable to abruptly forcing them to coexist with whites, although even after the civil rights movement, America is just as segregated today as it was then.

The abolitionist movement, I think, was generally misguided in the first place, because, alongside most abolitionists being just as racist as (in some cases, more racist than) white slaveowners, freed blacks were still not fully accepted as equals in America, pre- and post-Civil War. There should have first been an emphasis on actually improving conditions for slaves so that when the time for emancipation came, they would have better options on whether to remain with their masters and continue to work for them instead of being set free and aimlessly wandering in an America that was still very racist and unaccepting.

In the end, I would consider Stamped from the Beginning to be a "good bad" book, good in that it actually helped me get all my thoughts on race and racism off my chest, and bad in that Kendi buries a lot of inconvenient details and is blinded by his own racism and typical illiberal illogic that would drive a Vulcan insane, such as the idiotically-popular delusion that blacks (aside from the "black Judases") are incapable of any kind of wrongdoing and are totally immune to criticism, with even the slightest constructive critique of them being deemed "racist." Pawns of the modern Woke movement will probably find it an enjoyable read, but for everyone else, I've pretty much spared you the trouble of suffering through it.

Note: I could not post this on Goodreads since it's too long for that site.

theradicalchild: (Mrs. Brisby Sad)
The Secret of NIMH

Dream by Night, Wish by Day

Even when I was young, I had a fascination with animated films, although I didn't officially hear or recognize the name of Don Bluth maybe until around the turn of the millennium. I had seen bits of All Dogs Go to Heaven and Rock-a-Doodle towards the end of the twentieth century, but never actually watched them in full until around two decades or so later. I had rarely seen portions of Bluth's first film produced after he went rogue from Disney, The Secret of NIMH, on Nickelodeon in its heyday, and would learn that despite positive reviews, it flopped due to competition with E.T. the Extra-Terrestrial. In honor of Don Bluth's eighty-seventh birthday, I decided to give NIMH a watch on Tubi (free without commercials), and it easily blows all of the director's subsequent films out of the water (at least those I remember seeing in full) even today.

Wrong jewelry type as well

"My prec...er, wrong franchise."

Based on Robert C. O'Brien's Mrs. Frisby and the Rats of NIMH, the film opens with the titular widowed field mouse, whose surname was changed to Brisby due to potential trademark infringements with the Frisbee toy (and was probably for the far better), mourning her recently-deceased husband Jonathan and visiting one of his friends, Mr. Ages (nice name, by the way, though since said mouse is elderly, it probably fit him) to get a cure for her son Timothy's pneumonia. En route home, she meets the clumsy crow Jeremy, who helps her escape the guard cat Dragon, pet of the Fitzgibbons family, on whose land she and her family make their home.

The cat's out of the...water

A truly brutal game of cat and mouse

Brisby wants to move her residence off the Fitzgibbons property due to the coming of plowing season for the farm family, although her son's illness delayed this. Her neighbor, Auntie Shrew, helps disable the tractor that threatens Brisby's property to buy time. The mouse widow visits the Great Owl, who tells her to visit a rat colony hidden on the farm and beseech the service of its leader Nicodemus. The mystical leader reveals the backstory of his rodent colony stemming from experiments years before at the eponymous National Institute of Mental Health that boosted their intelligence and lifespans.

And not the suggestive kind

Just a little prick

Following this is a culmination of events including the intention by NIMH to exterminate the escaped rats, a plot by turncoats Jenner and Sullivan to off Nicodemus, and a rainstorm during the climactic battle that follows, with Brisby's abode at stake. Even if it seems to diverge greatly at times from O'Brien's book (at least from what I saw on Wikipedia, but the title character's name change was definitely a sound move), the story is told well, with the dialogue being well-written, never out of place, and fitting for the various characters, human and (mostly) animal alike.

Nigh-impossible to listen to with dry eyes

The voice performances are also solid, with Don Bluth's longtime friend, the late Dom DeLuise, lending his comedic talents to Jeremy (as he would for characters in future Bluth productions). Even the acting for the mouse children is very far from irritating (and Brisby's other son, Martin, was voiced by Wil Wheaton, who would go on to semi-stardom in the Star Trek franchise). Jerry Goldsmith's musical score deserves special mention and has a central theme with a vocal version, "Flying Dreams," with female vocals in-film and male during the ending credits. The animation is beautiful as well, and overall, The Secret of NIMH remains to date among Bluth's magna opera.


The Good The Bad
  • Very moving story.
  • Beautiful animation.
  • Excellent soundtrack and central theme.
  • Superb voice performances.
  • Diverges from the source material.

The Bottom Line

One of Don Bluth's best films. Watch it.

theradicalchild: (Caitian Vulcan Salute)
Star Trek: Lower Decks

Trekking Into Comedy

The second Star Trek animated series since The Animated Series and the franchise's first comedic series, Lower Decks follows the lower-deck crew members of the USS Cerritos during the Next Generation era as they and the vessel's crew get into a series of misadventures across the galaxy, with no overreaching plot in the first season. Notable episodes in season one include a visit by Q, a nuisance in The Next Generation, who poses the relatable question about whether humanity is worth saving, the introduction of an anthropomorphic Federation badge mascot named Badgey, and a pretend-movie spearheaded by Ensign Brad Boimler.

Just like my mom

T'Ana definitely gives meaning to the phrase "cranky cat lady."

The second season focuses more on the tense relationship between one of the main characters, Ensign Beckett Mariner, and her mother, Captain Carol Freeman, which I found relatable, and ends with a cliffhanger. Other notable characters include the cranky feline doctor T'Ana, and an intelligent flying robot named Peanut Hamper. The third and fourth season don't have too many notable episodes, but the series overall accomplishes well its aim to get audiences to laugh "with" Star Trek rather than "at" Star Trek. However, there are quite a few violent moments, and I think the constant bleeping of "extreme" profanity was really stupid and unnecessary. Regardless, I will definitely watch the fifth and final season.


RECOMMENDED?
YES

theradicalchild: (Balok Puppet)


When I first started watching this live-action science-fiction dramedy on Fox the last decade, I assumed it would be a knockoff of the Star Trek series, but given the repertoire of showrunner Seth MacFarlane, responsible for animated series such as Family Guy, American Dad!, and The Cleveland Show, I knew it would be a more lighthearted take on the sci-fi genre. The series opens with up-and-coming Planetary Union officer Ed Mercer, portrayed by MacFarlane, catching his wife, Kelly Grayson, having an affair with an alien, which leads to their divorce. A year later, Mercer receives command of the eponymous spaceship, with Grayson, to his shock, becoming his first officer.

The Orville isn’t shy about its Star Trek inspirations, beginning with its music. The opening credits theme takes inspiration from “Life Is a Dream,” Jerry Goldsmith’s central composition of the first and the fifth Star Trek Original Series films as well as The Next Generation, a similarity more so apparent in the season three remix. The Planetary Union is a nod to the United Federation of Planets from Trek, along with the various alien races, with sundry conflicts erupting throughout the series, chiefly with the Krill, a vampiric and ultrareligious society. The robotic Kaylons, with one of its members, Isaac, serving as a neutral ambassador aboard the Orville, also come into play later.

Other notable crew members include Bortus, a member of the Moclan race with deadpan speech patterns that make for some occasional humor, who mates with Klyden and has a child named Topa, born female, which is rare among their species in their male-dominant society. The episode “About a Girl” focuses on the couple’s decision to change Topa’s gender to male to conform to Moclan society, which hit home to me as an autistic and receives a follow-up in the third season. Another first-season episode, “Majority Rule,” focuses on a twenty-first-century society reigned by upvotes and downvotes, touching upon themes such as the role of social media and public shaming, which parallels modern cancel culture.

The Orville has a pretty good selection of stars, both guest and recurring, aside from Seth MacFarlane. Brian George, who played the Pakistani restauranteur Babu Bhatt in Seinfeld, and various other Indian or Pakistani characters in other media (despite being Israeli), plays a researcher in the first episode. The late Norm Macdonald plays Yaphit, an amorphous blob with a crush on Doctor Claire Finn, and briefly appears in human form thanks to the ship’s Environmental Simulator (which Isaac also uses when he tries to woo Finn). Patrick Warburton plays a long-nosed alien in a few episodes, and Ted Danson recurs as an Admiral in the Planetary Union throughout the entire series.

Overall, I had a great time watching The Orville, which largely avoids the pitfalls of MacFarlane’s animated shows, such as the drawn-out gags and topical references (but there is some sound sociopolitical commentary that never becomes ham-fisted) and strikes a balance between being humorousness and seriousness. I found it an excellent homage and even rival to the various Star Trek series (and it did semi-compete with Discovery upon its original release), which evokes Trek’s feel (musically and aesthetically) while standing well in its own right. I would happily watch future seasons should the series continue and consider it a capstone among Seth MacFarlane's television productions.
theradicalchild: (Scotty Can't Reach the Controls)


The first movie based on Star Trek, originally intended to be the pilot episode of a sequel series to The Original Series, focuses on a mysterious entity known as V'Ger engulfing everything in its path and threatening Earth, with Admiral Kirk gathering his old Enterprise crew to counter it. Director Robert Wise took heavy inspiration from 2001: A Space Odyssey, with plenty of drawn-out sequences showing off the film's special effects at the time. Jerry Goldsmith composed the soundtrack, its cornerstone being "Life Is a Dream," which would be later used as the central theme to The Next Generation. The film does show its age in many respects but did well to carry on the plot of the TOS cast.
theradicalchild: (Ethan Peck as Spock)


Both a spinoff of Discovery and prequel to The Original Series, focusing on the crew of the U.S.S. Enterprise before James Kirk was Captain, with Christopher Pike in charge of the ship, and TOS characters such as Spock (with Ethan Peck definitely doing the role justice), Nyota Uhura, and others. Doesn't follow a single overarching plotline (though the last episode of the second season ends with "To be continued..."), with most of the episodes self-contained, with some lighthearted ones such as a crossover with Lower Decks and a "musical" episode. I will definitely continue watching this series when the third season releases.
theradicalchild: (Jean-Luc Picard)


Takes place twenty years after Star Trek: Nemesis, and focuses on the titular retired Starfleet Admiral Jean-Luc Picard, who is thrust back into service for several reasons, and reunites with most of his crew from The Next Generation and its respective films, not to mention some new faces. The second season brings his old nemesis Q back into the picture as Picard and his companions are drawn back into the twenty-first century to ensure one of his ancestors gets into a space expedition as planned, and the third mainly involves the resurgent Borg. Definitely an enjoyable series with plenty of twists and actions, and makes me wonder what direction the Next Generation Trek characters will follow after Picard's events.
theradicalchild: (T'Ana)
Star Trek LD logo.svg

The second Star Trek animated series since The Animated Series and the franchise's first comedic series, Lower Decks follows the lower-deck crew members of the U.S.S. Cerritos during the Next Generation era as they and the vessel's crew get into a series of misadventures across the galaxy, with no overreaching plot in initial episodes. However, season two ends with a cliffhanger the following season concludes. The overall aim of the show was to get audiences to laugh "with" Star Trek rather than "at" Star Trek, and I think it did a pretty good job in that regard and will continue watching it as future seasons release.
theradicalchild: (Ethan Peck as Spock)


Both a spinoff of Discovery, whose second season emphasized Spock's pre-Original Series backstory, and a prequel series to ToS, focusing on Captain Christopher Pike's Enterprise and its crew, which includes maybe a handful of familiar faces/relatives of ToS's characters including the half-human, half-Vulcan Spock himself, with a few calls-forward to the ToS films as well, surprisingly including the maligned fifth movie. Unlike Discovery and Picard has largely-standalone episodes, although there are some overarching plot points. They really did a good job modernizing the Original Series' aesthetics with regard to the "futuristic" technology of the time, and the same goes for the music including the opening credits theme and some familiar tunes from ToS, and I really enjoyed the first season and look forward to the second.
theradicalchild: (Jean-Luc Picard)
Over a white background the words Star Trek are written in yellow letters above the word Picard in black, with the A in Picard replaced by the Starfleet logo.

Follows the titular retired Admiral and former Captain of the then-latest incarnation of the U.S.S. Enterprise, living in his home country of France and surrounding himself with Romulan friends, although certain events force him out of retirement, with a conflict with the Borg forthcoming, some old faces from the Next Generation-era Star Trek series and films, and a trip back in time to save one of his ancestors. It's generally a good series, and I didn't have any issue with the pacing since there is significant action, and Picard is a genuinely-interesting character.
theradicalchild: (Annabelle)


Even early Japanese RPGs tended to have good soundtracks, even when digitized, and some standout tracks from this album include the simple but catchy DAEDALUS dungeon theme, the entrancing "Hallucination" and its respective remix, and "Dawn of the Human Being", which brings to mind Jerry Goldsmith's Star Trek: The Motion Picture theme (used also for the fifth numerical film and The Next Generation).

Also...

Link

I imagine JRPG soundtracks would largely sweep the category, since I somewhat find Western game music a bit bland.

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