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The Foundling and Other Tales of PrydainThe Foundling and Other Tales of Prydain by Lloyd Alexander

My rating: 4 of 5 stars


This collection of short stories by Lloyd Alexander occurs in his land of Prydain, focusing on several events that occurred before the birth of Taran the Assistant Pig-Keeper.

“The Foundling” tells of how the three witches from the Marshes of Morva found Dallben when he was just a baby and adopted him, until he goes off on his own while receiving a book with wisdom as a gift, although it’s slightly unclear if it’s The Book of Three.

“The Stone” tells about an elderly couple, Maibon and Mondrona, with the former (the husband of the pair), receiving a stone from Doli that allows him to stop aging, although he regrets his decision since the artifact stops biological aging all around him.

“The True Enchanter” tells of how Princess Angharad’s mother Queen Regat of Llyr brought several suitors to her, intending her daughter to marry an enchanter, although against her mother’s wishes, she settles upon the least magical of them, Geraint, with whom she ultimately elopes.

“The Rascal Crow” tells about how King Arawn, Lord of the Land of Death, seeks to enslave the creatures of the forest, among them being the eponymous avian Kadwyr, who doubts the skill his and his fellow animals’ guardian Medwyn proclaims among them, although certain circumstances cause the crow to be more appreciative of his fellow beings.

“The Sword” provides backstory on the black blade that plays part in the primary Prydain series, Dyrnwyn, which becomes an inheritance of Rhitta, crowned King of Prydain, although he procrastinates in aiding a shephard named Amrys, claiming many lives along the way and erecting the subterranean Spiral Castle before he ultimately dies from his selfishness.

“The Smith, The Weaver, and The Harper” tells about how the hammer of Iscovan the Smith could work any metal, how the shuttle of Follin the Weaver could weave quickly, and how the harp of Menwy the Bard could play beautiful music, with Arawn the Lord of Death seeking these relics and disguising himself, with the first two craftsmen falling for his deception but the last seeing through his veil.

“Coll and His White Pig” tells of how Coll seeks to rescue his white pig Hen Wen from King Arawn of Annuvin, Lord of the Land of Death, due to the swine’s disposition as an oracular porcine, and meets Dallben, who allows him to partake in the wisdom of The Book of Three.

“The Truthful Harp” tells about how King Fflewddur Fflam aspires for recognition by the High Council of Bards, and while the Chief Bard initially fails him, he does give him his iconic harp whose strings break whenever he utters an aberration, with this quirk allowing him to grow in character.

Doesn’t quite fill all the holes in the Prydain series, particularly with regards to the enigmatic Taran, but definitely a good read, whether before or after the main series.



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The High King (The Chronicles of Prydain, #5)The High King by Lloyd Alexander

My rating: 4 of 5 stars


The final entry of Lloyd Alexander’s Chronicles of Prydain opens with Taran reuniting with Eilonwy, along with Prince Rhun, Glew now reverted from giant size, and Gwydion the Prince of Don, with the Huntsmen of Annuvin having gotten their hands on the dark blade, Dyrnwyn. Early on, moreover, the enchantress Achren shows her true loyalties, after which comes a visit to King Smoit’s castle, where Magg also shows his own loyalties and holds several of the main characters hostage. Thus, Eilonwy summons Gwystyl of the Fair Folk, gaining implements that can help liberate them.

Taran rallies the Free Commots he had visited towards the end of Taran Wanderer to learn various crafts, with Arawn Death-Lord’s forces, chief among them being remaining Cauldron-Born, attacking the free lands of Prydain, with an eventual journey into the dark country of Annuvin. Eilonwy briefly separates from the company, which battles elements such as the cold on their way to the heart of Annuvin, where Dyrnwyn is, and battles against the gwythaints and Death-Lord himself arise. The ultimate fate of Prydain depends on the outcome of this battle, with the conclusion ending the main series neatly.

Overall, I found this a solid conclusion to the Chronicles of Prydain, with Alexander having proven himself to be the American Tolkien, given his fantasy series’ mythological roots, in its case Welsh mythology, similar to how the Lord of the Rings books stemmed from Nordic myths. As such, there are some similarities to Tolkien’s own writings towards the end, although Alexander definitely did a good job setting his series apart from other fantasy works, with his stories definitely being well ahead of their time, surefire treats for children of any generation.



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Definitely a little dark for a Disney film, and the attempts to combine the stories of the first and second Prydain books results in a bit of disjointment (with deviations from the books such as the Horned King and Arawn Death Lord being one character, as well), but the animation is good, and I thought the characters were mostly depicted well.
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Taran Wanderer (The Chronicles of Prydain, #4)Taran Wanderer by Lloyd Alexander

My rating: 4 of 5 stars


The penultimate installment of Lloyd Alexander’s Chronicles of Prydain opens with the eponymous hero of the series, Taran, pondering his parentage, and thus setting off on a journey of self-discovery. His first stop is the Marshes of Morva, finding out about the Mirror of Llunet, which he thinks may answer his questions. He visits Caer Cadarn, the fortress of King Smoit, for want of better gear, and stops by the farm of Aeddan. Thence he involves himself in a feud between Lord Goryon and Gast, with the former having stolen the latter’s prize cow and accompanying herd.

Taran is offered the kingship of Cadiffor, although he yearns to learn about his heritage first, and continues with his companions Fflewddur Fflam and Gurgi, with a curious sliver of bone and a peculiar frog found. They confront a wizard named Morda, after which Taran receives a clue about the Lake of Llunet, supposing the Mirror of the same name may be nearby. A lord named Dorath antagonizes the company, and Taran spends significant time with the farmer Craddoc Son of Custennin. Before he finds the Mirror and another confrontation, Taran stops by several masters to learn sundry crafts.

All in all, Taran Wanderer is another enjoyable entry of the Prydain series, fitting into the Bildungsroman subgenre of literature given the titular character’s emotional growth throughout the narrative, although many may find the twists and reversals disappointing. Unlike some other books, moreover, one will probably find it easier to keep track of who is talking, given different dialects such as Gurgi’s rhyming and alliterative speech. Alexander also wrote the book so that it can very much stand alone, although those who have enjoyed its precursors will definitely get the most out of it.



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The Castle of Llyr (The Chronicles of Prydain, #3)The Castle of Llyr by Lloyd Alexander

My rating: 4 of 5 stars


The third entry of the late Lloyd Alexander’s Chronicles of Prydain series opens with Princess Eilonwy, Daughter of Angharad and Regat of the Royal House of Llyr, leaving Caer Dallben for the Isle of Mona for instruction on how to become proper royalty. The monarchs of the island, King Rhuddlum and Queen Teleria, have their son Prince Rhun be her escort, with Taran and her other companions ultimately joining in the voyage. The main inciting incident of the story comes when the royal palace’s Chief Steward Magg, who doubles as a war-leader, and Princess Eilonwy, vanishing without a trace.

On their quest for the missing princess, Taran and his companions encounter the solitary hut of a potion-maker named Glew, eventually finding what became of him, and have a hostile experience with the feline creature Llyan. As they seek Eilonwy, the companions find her bauble, ultimately termed the Golden Pelydryn, and spend a few chapters trapped in a cavern with a giant they eventually escape. A book that appears to be empty serves as an important artifact, and the third installment ends with several chapters occurring at the fortress Caer Colur with a prior adversary.

All in all, this was another good, quick, enjoyable Prydain story, even if it hinges upon the damsel-in-distress trope prevalent in medieval-set fantasy, although there are plenty of good twists, and in the final chapter the holes that were present before the disappearance of Magg and Eilonwy receive due explanation. Alexander followed the main text with an anecdote about how he loved cats and thus introduced a fantastical feline into the world of Prydain, and one could consider him an American children’s Tolkien, predating many more notable fantasy works ahead of his age.



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In the second entry of Lloyd Alexander’s Chronicles of Prydain series, the Assistant Pig-Keeper Taran and his companions seek the eponymous MacGuffin, the Black Crochan, chief implement of the lord of the Land of Death Arawn, to destroy it and prevent the dark lord from summoning more Cauldron-Born. The book opens with a council at Caer Dallben, which Taran joins, meeting new figures central to the story. Gwydion ultimately lays out tasks in the plot to retrieve and destroy the cauldron, and Taran, on his continued quest towards manhood, receives his own sword as a gift.

Huntsmen of Annuvin the company Taran joins encounters, after which they meet the enchantresses Orddu, Orwen, and Orgoch, who aid in the quest to seek the Black Crochan, in the Marshes of Morva. A few members of the company come and go, with the witches having known Taran’s mentor Dallben when he was far younger. Certain treasure the sorceresses also request in exchange for assistance in their quest, with the need for a human to climb into the cauldron in order to destroy it, and a battle around the dark artifact terminating the second installment.

In the end, the second entry of the Prydain series, like its precursor, definitely packs a punch despite its meager length, with general straightforward action and a clear overall goal for the protagonists in destroying the eponymous dark relic, with some occasional twists and turns along the way, and likeable characters. The overall Chronicles of Prydain critics have touted as a Bildungsroman, in other words, a coming-of-age story, and The Black Cauldron does a great job in that respect, with Taran growing morally towards the end, and the sequel standing on its own as a high point of fantasy literature.

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The Book of Three (The Chronicles of Prydain, #1)The Book of Three by Lloyd Alexander
My rating: 4 of 5 stars

The inaugural entry of author Lloyd Alexander’s Chronicles of Prydain opens with protagonist Taran yearning to make a sword, although his master, Coll, would rather he make horseshoes. Dallben, master of the farm where Taran lives, Caer Dallben, and nearly four centuries old, fears the Horned King, the champion of the dark lord of Annuvin, Arawn. Taran becomes an Assistant Pig-Keeper in charge of the oracular porcine Hen Wen, who runs away into the woods, beginning the young hero’s quest. Within the wilderness, Taran witnesses the Horned King, with Gwydion, Son of Don and war-leader of Prydain High King Math Son of Mathonwy, coming to his aid.

Hen Wen’s trail they follow, encountering the simian creature Gurgi, who regularly talks with close-knit words that rhyme, as well as avian gwythaints, which serve as Arawn’s spies and messengers, the Eyes of Annuvin. After an encounter with the Cauldron-Born, Taran is knocked unconscious and finds himself in a cell in the Spiral Castle, home of enchantress Achren. There he meets Princess Eilonwy, Daughter of Angharad, Daughter of Regat, ancestors to the Sea People, of the blood of Llyr Half-Speech, the Sea King, with Achren her aunt and instructor. Taran and Eilonwy escape, meeting the wandering bard Fflewddur Fflam, who accompanies them in their travels.

Wolves eventually attack the party, although they relent when Medwyn sees they are friends of Gwydion’s horse Melyngar, after which they go to a village where Gurgi, who received an injury from Cauldron-Born beforehand, recovers. Taran, Eilonwy, and Fflewddur make the Valley of Ystrad their next destination, braving mountains where a black lake attempts to ensnare then, and they find themselves in the court of the dwarven King Eiddileg of the Kingdom of Tylwyth Teg. Thence the dwarf guide Doli shows them the way to Caer Dathyl, culminating in a battle against the Horned King and his forces.

All in all, while The Book of Three isn’t a terribly-lengthy novel, it definitely packs a punch, given its tight, engaging action and occasionally dialogue and denouement, with an author’s note after the main text noting the story’s inspiration from Welsh mythology, similar to how J.R.R. Tolkien’s Lord of the Rings series had its roots in Norse mythos. There are definitely similarities to Tolkien’s literary franchise, although in his time, one could definitely consider Lloyd Alexander the American equivalent of Middle-earth’s creator, and younger audiences in particular, for whom the author intended the Prydain series, will definitely find it an engaging read.

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